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The journey in analogue [and sometimes digital]

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Summer Counts on Flickr.It’s been a very warm Summer, and I’m over it.  Too many 100+ F days and it’s not cooling down in the evening anymore.  These objects say summer, but at the same time, they taunt me and make me want a nice sweater and a fireplace.  I want to shiver.

Summer Counts on Flickr.

It’s been a very warm Summer, and I’m over it. Too many 100+ F days and it’s not cooling down in the evening anymore. These objects say summer, but at the same time, they taunt me and make me want a nice sweater and a fireplace. I want to shiver.

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Pockets of Stories at the Beach on Flickr.I love all the little pockets of stories going on in this shot.  A guy getting a phone number from a girl, two people just getting to the beach, a family trekking across the sand to set up and kids playing in the surf, oblivious to it all.
I also love how my Rollieflex gets out of my way and is a window to a world, that at the perfect time and a simple soft click, is captured.

Pockets of Stories at the Beach on Flickr.

I love all the little pockets of stories going on in this shot. A guy getting a phone number from a girl, two people just getting to the beach, a family trekking across the sand to set up and kids playing in the surf, oblivious to it all.

I also love how my Rollieflex gets out of my way and is a window to a world, that at the perfect time and a simple soft click, is captured.

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Thoughts of Starbucks [Explored] on Flickr.I’m always amazed and honored when I get a picture on Flickr Explore, but I really couldn’t guess which ones are Explore-worthy.  My son, the subject of this picture, says it’s the subject, Dad, it’s the subject.

Thoughts of Starbucks [Explored] on Flickr.

I’m always amazed and honored when I get a picture on Flickr Explore, but I really couldn’t guess which ones are Explore-worthy. My son, the subject of this picture, says it’s the subject, Dad, it’s the subject.

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rrroseselavy asked: Hi there! This is a question regarding a much older post..2012..I think. It's about your Mamiya polaroid back. I just purchased one and am worried about that terrible black column on the side that some images have. I haven't tested it out but will for sure do it tomorrow. What type of back do or did you have? Thanks!

I have an “NPC” back. It shifts the instant shot to one side, so there is a black band on the right side. Other backs center the image and have thinner black bands on either side.

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3 Camera Still Life Test on Flickr.This isn’t too scientific, and really, in the end, I could really care less about which is “the best”, but I thought it would be interesting to compare the new Sigma DP2 Quattro with its original sibling the Sigma DP2, and then my newish Sony NEX-6.
What I found is that they all are awesome in their own way, and all have great quality…then it all comes down to which tool is the best for the job…
So, which one is which?  Let me know what your guess is in the comments!

3 Camera Still Life Test on Flickr.

This isn’t too scientific, and really, in the end, I could really care less about which is “the best”, but I thought it would be interesting to compare the new Sigma DP2 Quattro with its original sibling the Sigma DP2, and then my newish Sony NEX-6.

What I found is that they all are awesome in their own way, and all have great quality…then it all comes down to which tool is the best for the job…

So, which one is which? Let me know what your guess is in the comments!

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Rollei XF 35: The Unknown Gem

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THE ROLLEI XF 35- WHAT IT’S NOT

I’m sure a lot of the readers of this blog will know of the classic Rollei 35.  It was the smallest 35mm viewfinder camera upon its release, and it’s still a very popular camera with a much reputed lens.

So, when my Dad said that he was sending me a Rollei 35 kit that included a camera, bag, flash, strap, and manuals I was intrigued.  I’ve never actually wanted the 35, as it is a zone focus camera, but free is something that’s hard to turn down.

But the 35 isn’t what showed up.  This was an XF 35.  

WHAT IS THE XF 35?

The XF 35 is a very small, true rangefinder camera.  No, not as small as the 35, but it’s still pretty small!

Rollei 35S + XF 35

Thanks to Achim Pfennig for the awesome comparison shot!

It’s got a Sonnar 40mm f/2.3 lens and is a match needle automatic camera.  This means it has shutter speed synched to aperture, so at f/16 the shutter speed is 1/640 and the bigger the aperture the slower the shutter speed goes, all the way down to f/2.3.

Here’s the specs (thanks to camera-wiki):

-  40 mm f/2,3 Sonnar (5 components, 4 groups), made under licence by Carl Zeiss (Oberkochen).

-  Filter size : 46 x 0.75mm

-  Coupled rangefinder with bright spot.

-  Nearest focusing distance: 1 m.

-  Programmed exposure from 1/650 s at f/16 to 1/30 s at f/2,3.

-  Bulb mode for long exposures.

-  Aperture and Shutter speed chosen is indicated by a metering needle in the viewfinder.

-  Hot shoe for Rollei 100XL flash, syncing at 1/30 s. Flashmatic system for proper flash exposure.

-  CdS light metre; range from 20 to 16 000 cd/m² with ISO100 film.
Supports film speeds from 25 to 400 ISO.

-  Power: PX625 mercury battery.

-  Dimensions and weight: 112x71x32 mm, 355 g.

Here’s a shot of my XF 35.  Not as pristine as Achim’s but not bad:

Rollei XF 35 front view

When I got it, it still had it’s battery in it, an old mercury 1.3V PX625, and it had no power.  I went to my LCS and got a 1.5V equivalent knowing it might not expose properly, but it got the light meter working, so I wasn’t too worried.

Rollei XF 35 3/4 front view

The problem with my copy was that the shutter was a bit sticky.  I spent a couple of days with some lighter fluid and it helped, but the slow speeds were very bad and I kind of gave up on it for a bit.  I also noticed that the RF, a very strange design that you can look up on the web, was a bit sticky too.  I got frustrated, and well, I got a Rolleiflex TLR in the meantime, so I set it on a shelf.

A few weeks later I was moving stuff around in my camera cabinet and picked up this camera again.  I took off the cap and fired the shutter…and it quietly snapped like it was brand new!  I threw a roll of VERY expired non-refrigerated TMAX 400 that I got from a friend and decided to test it.

SHOOTING EXPERIENCE

I’m not a huge fan of cameras that don’t let you have aperture control, but every time I went to shoot with this camera, I just glanced at the match needle and just accepted the fact that it was choosing an aperture.  I actually started composing pictures slightly differently because I knew what aperture it was going to shoot at.  Kind of a new, cool method.

And let me tell you, this camera is such a fun camera to shoot.  I love the size, and since it’s a rangefinder, it’s super fast to shoot.  Just put it up to your eye, notice the aperture/speed and then, very quickly, decide accurate your focus has to be.  It really was fast and easy.

I shot indoors with the flash on bulb mode (more on that in a bit) and then bought a red filter and shot with that too.  It was a blast!  I got home, developed my film and hoped for the best.

THE SHOTS

When I pulled the film out of the soup, I was pleased.  It looked like it metered really well, and exposed about spot on.  The expired film was a little grainier than I expected, but nothing too bad.  But then I noticed the film strip change…uh oh.

Apparently after a flash shot I forgot to turn the camera from B back to A…see, like in this picture:

Rollei XF 35 bottom modes view

So, about 10 or so pictures were all shot with Bulb mode on. sigh.

But the other shots were pretty darn good, and this Sonnar lens looked great.  Here’s some of the better ones.

Under the Roof at Home Depot #1

Under the Roof at Home Depot #2

I'd Rather it Say Dessert.

I was surprised at how well it was doing exposure, especially with some of the roof shots.  And the sharpness of the lens was pretty awesome!  It’s great when a trip to Home Depot turns into a photo shoot!

Burro From Light To Dark

Succulents Emerge From the Dark

Caught Between Shadows

I took it inside as the light was hitting the sink and once again, the camera did a great job of choosing exposure, and the nice big rangefinder made it a snap to compose.

Tomato

And even in the subdued lighting at Home Depot, it was a snap to walk, compose, snap and be on my way.

Tres Baños

OH, BULB MODE

I actually wasn’t going to scan in ANY of the shots that had been shot on Bulb mode as I thought they were trash, but I decided to scan one, just because I remember walking behind these girls with their tiara’s on and I thought I had gotten a great shot, well, when Bulb mode wasn’t on…but I actually really like the result I got.  Shot with a red filter as well.

Princesses

CONCLUSIONS

I actually haven’t seen this camera show up on ebay very much since I’ve been aware of it, but if you can find one, they seem to be in the $40 range, which is a great deal.  I’ve been told they weren’t built that well, so you have to be very careful buying one, but as a Yashica Electro owner, I know what that’s all about.

All I know is that this is my new “throw a camera in a bag” camera.  When I don’t have a lot of space, I’m going to have this little guy loaded up with some HP5 + and just shoot.

Filed under rollei rollei xf35 rangefinder small camera film camera believeinfilm

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IMPOSSIBLE Adds “Best Before Date”…

IMPOSSIBLE added a great thing to their film…instead of a “Manufactured On” Date on the package, they now have switched to a “Best Before Date” to try to end confusion of “expired” film.  Here it is:

I think it’s great, but the problem is, unless you know the date of when they started the change, you have NO idea if you have the old date version or the new one.  I really wish they would have added one more thing:

That way there is NO confusion as to what you have…It would be a tricky layout for sure as I’m guessing the stamp thing can’t change placement very easily, but I think it could’ve been done.  Hopefully they will think about this in a later release so that no-one is confused in the future.

Filed under the impossible project best before date instant film

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Tonal Adjust Test 001-combine on Flickr.
IMPOSSIBLE Instant Lab Gen2 Color 600 Test film Original Shot: Sony NEX-6 w/ Olympus OM 50mm f/1.8 Adobe PS Express Here is a comparison of the new Tonal Adjust on the updated IMPOSSIBLE app and the tweaks I do to my files before going to the Instant Lab.  My tweaks on the left and the IMPOSSIBLE app on the right.  I turned off “Tonal Adjust” in my process, btw. CONCLUSION: The new tonal adjust does a good job of getting the color tones right for the film, which is what it’s intent was, but it still doesn’t solve the contrast, and overly dark images that come out of the Instant Lab without some tweaking.  I like that they are trying to improve the output of the Instant Lab for everyone, and this is a great improvement for the current generation of films, but I still would recommend tweaking your files in Snapseed or PS Express first…but you can let the app do the tonal adjust if you want.

Tonal Adjust Test 001-combine on Flickr.

IMPOSSIBLE Instant Lab
Gen2 Color 600 Test film
Original Shot: Sony NEX-6 w/ Olympus OM 50mm f/1.8
Adobe PS Express

Here is a comparison of the new Tonal Adjust on the updated IMPOSSIBLE app and the tweaks I do to my files before going to the Instant Lab.  My tweaks on the left and the IMPOSSIBLE app on the right.  I turned off “Tonal Adjust” in my process, btw.

CONCLUSION: The new tonal adjust does a good job of getting the color tones right for the film, which is what it’s intent was, but it still doesn’t solve the contrast, and overly dark images that come out of the Instant Lab without some tweaking.  I like that they are trying to improve the output of the Instant Lab for everyone, and this is a great improvement for the current generation of films, but I still would recommend tweaking your files in Snapseed or PS Express first…but you can let the app do the tonal adjust if you want.

Filed under the impossible project instant lab Polaroid